Friends

20 November 2017

LET'S GO TO THE BALL

Let's Go To The Ball


In 1954 Patrick and I did the journey to Capecastle to celebrate his parents ruby wedding, a grand affair with a marquee and a slap-up meal and attended, it seemed, by the entire population of Northern Ireland.

'A great fuss,' grumbled Patrick, who was not keen on crowded functions. Nevertheless, he didn't mind joining his four brothers for after-dinner drinks … half a crate of Bushmills whiskey which was probably still illicit. And he didn't mind staying in bed the whole of the following day and night, cursing the pain in his head and blaming me for allowing it to happen.

Well, I enjoyed the anniversary party but if you were to ask me what I ate or to outline the topics discussed around the table I'd be hard pressed to remember. What does come to mind was the decision of the Portrush group to attend the village ball. It would be a perfect end to a perfect day. Or so I was led to believe.

My dress was ideal for a ball being ankle-length and created from shimmering pink parachute silk, though the high-heeled satin shoes were hardly fit for walking the dark and muddy lanes. Patrick assured me that I looked like a princess. I took that with a pinch of salt considering his inebriated condition.

Brimming over with jollity, we arrived at the dance hall. I remember turning the corner of the lane and seeing the single lantern over the door of a wooden hut. And I remember the mirth deserting my soul. I had expected more than a decrepit shack to dance in. I had expected to be whirling around a Casino-type place in the arms of my well-oiled husband.

One of the brothers took my arm and guided me towards the entrance. Patrick trailed behind singing Baa Baa Black Sheep. I was mortified when we reached the door and Patrick began chanting, Yes, sir; Yes, sir, three bags full, to the amusement of the man on the door. I was so humiliated ... and was even more so when the doorkeeper seized my left hand and quick as a flash imprinted the back with a black-ink date stamp. My entrance ticket, I was told, and a pass-out. I complained bitterly about the mess but was reassured that the ink would eventually wash off. The word ‘eventually’ bothered me no end.

Inside that glorified shed, straight-backed wooden chairs were arranged in rows on two sides, with a single chair bang in the middle of the floor. A red-cheeked, robust individual with a shillelagh under his arm paced to and fro inspecting the floor and shouting instructions to an elderly man in a grey cap and tweed jacket who was scattering chalk like he was feeding the fowl.

And then the band arrived. 'Here's the band,' Patrick cried, as one man and his fiddle sauntered towards the chair in the centre of the room. I closed my eyes, convinced I was hallucinating, but opened them again when the first musical strains hit the air. The fiddler was standing on the wobbly chair, tapping one hob-nailed boot in tune to an Irish jig, his red polka-dot kerchief crumpled between the fiddle and his chin. Around him ruddy-faced farmers, fingers dyed blue with crop spray, danced at arms-length with their wives, solemn-faced women, straight-legged and aloof.

Totally bewildered, I joined Patrick and the brothers on the hard chairs and bemoaned my fate. I felt like an overdressed dummy though Patrick continued to assure me I was the belle of the ball. If he could've transferred his intoxication to the poker-faced couples on the chalk-strewn floor, I would have been better pleased. If he had been sober, my presence in a room smelling of classrooms and wood yards might have been more tolerable. And then I saw the funny side of it. I started to laugh, and Patrick laughed, and the brothers joined in. The fiddle-player grinned and broke into a livelier jig. And I wouldn't have missed the experience for the world.

So when I am asked what my in-laws ruby wedding was like, I reply with truth that it was a remarkable affair. But it's not the event that comes to mind, it's the jolly-faced fiddle player with the polka-dot kerchief and the amiable grin.

Please note that this is almost a true story; although I was there and at that dance I felt obliged to change all names

5 comments:

  1. Valerie, your visual description of not only what was actually taking place, but also how your characters look and feel are always so clear and sharp. There is never a doubt in my mind who and where these characters are.

    You also know how to tell a complete story in a very short period of time.

    EXCELLENT writer you are, my friend!

    Have a great week! And if we don't touch base before then, I want to wish you and Charlie a Happy Thanksgiving Day!

    X

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  2. Thanks for the praise, Ron. I do appreciate it. This story stems from my first marriage when I was taken to meet the in-laws. A lot of the things in the story were true, but dressed up for the sake of the reader! The places were as named, and the hut as described, as was the fiddler. I thought it would make a good story then and still do. I am pleased you enjoyed reading it. I must try and find the follow-up story.

    You too have a great week, dear friend, and thanks for your good wishes.

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  3. I have to admit I was trying to work out who Patrick was! Haha, great story even if it's slightly embellished. :D

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  4. Oh, what an experience - it can be SO embarrassing to be overdressed and out of place! I'm glad you eventually saw the funny side ... and just hope that the wet, black ink from that date stamp didn't ruin your beautiful dress!

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  5. Hi Jay. The dress was fine all the way through, otherwise this post would have been entirely different.

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